Coast Orchestra
Performance

Illegal Crowns and the Coast Jazz Orchestra

Another Prayer for Passive Resistance
February 28, 2026

An internationally acclaimed collective quartet shares the evening with the Hop's resident student jazz orchestra, offering creative music to meet the moment.

The collective ensemble Illegal Crowns (featuring the long-standing trio of guitarist Mary Halvorson, drummer Tomas Fujiwara and cornetist Taylor Ho Bynum) is joined by very special guest: legendary trumpet player and composer Wadada Leo Smith, for a first-time quartet meeting of some of contemporary music's leading creative figures.

The Coast Jazz Orchestra will perform original music by Halvorson, Fujiwara and Smith, in addition to reimagining Charles Mingus's classic A Prayer for Passive Resistance and premiering a new composition by Coast alum Amy Norton '23.

Coast Jazz Orchestra is funded in part by gifts from Friends of the Coast.

photo: Ben DeFlorio

Tomas Fujiwara is a Brooklyn-based drummer, composer and band leader. Described as "a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming" (Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double, 7 Poets Trio, and Tomas Fujiwara & The Hook Up; his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Mary Halvorson and Michael Formanek); and a diversity of creative work with Anthony Braxton, John Zorn, Mary Halvorson, Matana Roberts, Joe Morris, Taylor Ho Bynum, Nicole Mitchell, Ben Goldberg, Tomeka Reid, Amir ElSaffar, Benoit Delbecq and many others. "Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint…A conception of the drum set as a full-canvas instrument, almost orchestral in its scope." (New York Times).

Guitarist and composer Mary Halvorson has been described as "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz—or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). In recent Downbeat Critics Polls Halvorson has been celebrated as guitarist, rising star jazz artist and rising star composer of the year, and in 2019 she was awarded a MacArthur Fellowship. Halvorson has released a series of critically acclaimed albums on the Firehouse 12 label, most recently Artlessly Falling with her ensemble Code Girl. One of New York City's most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

Taylor Ho Bynum is a composer, performer and interdisciplinary collaborator, and a producer, organizer, teacher and writer. His expressionistic playing on cornet and expansive vision as composer have garnered him critical attention on over twenty recordings as a bandleader and dozens more as a sideman, including The Ambiguity Manifesto, a top-10 choice in the 2019 NPR Jazz Critics' Poll. His varied endeavors include leading his own bands, his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he served as executive director from 2010-2018, producing and performing on many major Braxton projects, including two operas and multiple festivals). Bynum has worked with other legendary figures such as Bill Dixon and Cecil Taylor and maintains current collaborative projects with Tomas Fujiwara, Mary Halvorson, Kyoko Kitamura, Joe Morris, and Tomeka Reid, among others. He is currently the director of the Coast Jazz Orchestra at Dartmouth College, where he also teaches music history, composition and improvisation, and his writing has been published in The New Yorker, The Baffler, Point of Departure and Sound American.

Born in 1941 in Leland, Mississippi, legendary trumpet player and composer Wadada Leo Smith began his musical journey steeped in the musical traditions of the South. He composed his first piece of music at the age of 12, and at 13 started performing with traditional bands. Smith received his formal musical education from his stepfather, composer/guitarist Alex "Little Bill" Wallace, one of the pioneers of electric guitar in Delta Blues. He was further educated through the U.S. Military band program at Fort Leonard Wood, Missouri (1963); Sherwood School of Music (1967-69); and Wesleyan University (1975-76). He has researched a variety of music cultures, including African, Japanese, Indonesian, European and American. Smith defines his music as "Creative Music," and his diverse discography reveals a recorded history of music centered in the idea of spiritual harmony and the unification of social and cultural issues of his world. Smith was a finalist for the 2013 Pulitzer Prize in Music for Ten Freedom Summers, (Defining Moments in the History of the United States of America), a collection of compositions inspired by the civil rights movement and released as a 4-CD boxed set. Smith was named DownBeat Magazine's Composer of the Year in 2013. He also received numerous awards, including the Doris Duke Artist Award in 2016 and the UCLA Medal in 2019. Learn more >

“a rare and profound deep listening, complete trust and supporting one another through every unexpected turn…”

Salt Peanuts

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