Film

Met Opera in HD

X: The Life and Times of Malcolm X

Anthony Davis

November 18, 2023

This event occurred as part of the 23/24 Art On Screen season. This is an archived view.

A spectacular imagining of Malcolm X as a figure who transcends space and time.

Met Opera in HD

X: The Life and Times of Malcolm X: Trailer

Anthony Davis's groundbreaking opera, which premiered in 1986, arrives at the Met at long last. Robert O'Hara, who was nominated for a Tony Award in 2020 for his direction of Slave Play, oversees a new staging that imagines Malcolm as an everyman whose story transcends time and space. A cast of breakout artists take part in the operatic retelling of Malcolm X's life. Baritone Will Liverman, who triumphed in the Met premiere of Terence Blanchard's Fire Shut Up in My Bones, sings Malcolm. Soprano Leah Hawkins plays his mother, Louise; mezzo-soprano Raehann Bryce-Davis is his sister Ella; bass-baritone Michael Sumuel is his brother Reginald; and tenor Victor Ryan Robertson is the Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis's libretto.

Learn more about the performance >

The Program

The Hop Presents

The Metropolitan Opera HD LIVE
X: The Life and Times of Malcolm X
Anthony Davis / Libretto by Thulani Davis / Story by Christopher Davis

Saturday, November 18, 1 pm
Loew Auditorium • Dartmouth College • 2023

Duration: 3 hours, 45 minutes including intermissions

Free tickets for Dartmouth students to attend The Met: Live in HD are supported by a gift from Cynthia and Jeffrey Manocherian P’15, ’18

The Met: Live in HD series is made possible by a generous grant from its founding sponsor: The Neubauer Family Foundation

Global corporate sponsorship of The Met: Live in HD is provided by Bloomberg Philanthropies

The HD broadcasts are supported by Toll Brothers

Cast

(Cast in order of vocal appearance)

Louise/Betty………Leah Hawkins

Ella Raehann………Bryce-Davis

Elijah/Street………Victor Ryan Robertson

Malcolm………Will Liverman

Reginald………Michael Sumuel

Conductor………Kazem Abdullah

Production………Robert O’Hara

Set Designer………Clint Ramos

Costume Designer………Dede Ayite

Lighting Designer………Alex Jainchill

Projection Designer………Yee Eun Nam

Wig Designer………Mia Neal

Choreographer………Rickey Tripp

Live in HD Director………Gary Halvorson

Live in HD Host………Angela Bassett

Synopsis

ACT I

1931, Lansing, Michigan. At the home of Reverend Earl Little and his wife, Louise, a meeting is taking place of the local chapter of Marcus Garvey’s Universal Improvement Association, and Rev. Little is late. Louise has been tense all day, and members of the meeting are concerned about active white supremacist groups terrorizing local people. Louise remembers past attacks that haunt her. A policeman arrives to say that Rev. Little was killed in a streetcar accident. The neighbors ponder what may have really happened, and Louise becomes distraught, sings to herself, and soon becomes unreachable. A social worker comes to the home sometime later and declares the Little children to be wards of the state. Malcolm tries to reach his mother, who does not react to him. She is hospitalized. His older half-sister appears to take him to her home in Boston.

About 1940, Boston. Still very much a country boy, Malcolm is introduced to Ella’s middle-class black Boston and, through his discovery of the music there, finds himself in the local after-hours life, with his guide, a character named Street. But as a young adult, he gets involved with some people who rob a wealthy home, and he is arrested.

In an interrogation room, Malcolm reveals the anger over the troubles that have long plagued people
like him.

Intermission (30 Minutes)

ACT II

1946–48. Malcolm broods in jail when his brother Reginald comes to visit. Reginald tells him about Elijah Muhammad, leader of the Nation of Islam, whose teachings he thinks will help his brother. Malcolm begins to study the Nation’s teachings and read many books. He becomes a serious and more hopeful man. Malcolm X is born.

The jail recedes as Malcolm hears and then sees Elijah. It is as if the word removed the bars. They come face to face. Elijah embraces Malcolm like a son. He tells him he has much to learn to spread Allah’s word and sends him out to start temples. He is an electrifying speaker.

1954–63. Malcolm begins his ministry, helping to found temples in Boston, Philadelphia, Springfield, Hartford, Atlanta and New York. This scene spans several years in telescopic fashion. The period includes some of the heights of the civil rights era and closes with the assassination of President John F. Kennedy. Malcolm is seen speaking on various Harlem street corners as time passes. He always takes the crowd.

Malcolm warms to his task when speaking before more and more exuberant crowds and decries some of the peaceful protests in the South as Malcolm defines his own political position.

He leads an anthem declaring “We are a nation.” At the end, he is asked about Kennedy’s death and makes a remark lacking in sensitivity to the nation’s mourning. Elijah is enraged.

Malcolm and Betty briefly discuss his upcoming meeting with Elijah. They express the hope that their children will be free to dream without fear.

Intermission (30 Minutes)

ACT II

Malcolm is called to see Elijah, who is both disturbed that this spokesman for the Nation may have put the organization in jeopardy and that he may have become too powerful. Malcolm is disparaged by other Muslims as he comes to the meeting. The Nation is splintering into vying factions. Elijah silences Malcolm for three months, and Malcolm consents to the will of his leader.

He visits with his family, disheartened by the turmoil dividing his community and reporters hounding his every step. Betty hands him a ticket and tells him to go to Mecca, to spend time alone, and find his way. He decides to simply trust in Allah and ask for His help.

Malcolm is in Mecca, dressed in the simple cloths of a hajji and awaiting word as to whether he will be permitted in as a convert and not a man born in Islam. The call to morning prayer sounds, and people there begin to go through the traditional motions of prayer, which are new to him. He watches, imitates the others, and tries to learn the orthodox ritual. He has a larger vision of people across the world united together in faith, rather than by a single ideology.

1964–65. Just before he returns to Harlem, a riot breaks out there. He returns, now a changed man but outwardly the same. He is greeted by reporters who question him about the rioting.

Later, he delivers a speech before his own newly formed group, the Organization of Afro-American Unity. He tells his supporters what he has learned in Africa—that they are a part of a larger movement against colonialism and racism. He is warned of death threats. He is not concerned with the fear so evident around him.

He arrives to give a speech at the Audubon Ballroom in Harlem. After greeting his audience, he is gunned down.

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